Alaskan Way viaduct, #1 p.2
and/or (Seattle), #4 p.2, #7 p.6
Anderson, Guy, #4 p.3
Andrews, Richard, #1 pp.1,4
Angelico, il Beato, #3 p.3
Antonioni, Michelangelo, #6 p.1
Apple Computer Inc., #6 p.5
archeology, fictional, #6 pp.1,6-7
architecture
   authority, #1 p.3, #7 pp.4
   shelter, #1 pp.1
   desire, #1 pp.1,4
   proto-American, #6 p.6
art collectors, in Seattle, #2 p.4
art critics, #2 p.2
art dealers, #2 p.2
art galleries
   alternatives, #7 p.3
   audience, #2 p.4, #7 pp.2-3
   constraints, #5 p.4, #7 p.3
   free agency, #7 p.3
   neutrality, #2 p.2, #7 p.3
   as prisons, #1 p.1
   as studio, #5 p.5
art museums
   authority, #7 pp.4-6
   as graveyards, #1 p.2
   as hosts, #7 p.6
   history, #2 p.3
art
   accessibility, #2 pp.1-2, #5 p.2
   ambivalence, #7 p.3
   audience, #2 pp.2,3, #5 pp.2,4, #7 pp.2,4-6
   commodity, #2 p.2,5, #4 p.2, #6 p.1, #7 p.3
   biology, #4 p.6, #5 p.5, #7 p.3
   elitism, #2 pp.3-4, #7 p.3
   emotion, #5 pp.1-2, #6 p.3
   everyday life, #4, pp.1-2, #5 p.6, #6 pp.1-2, #7 pp.2-3
   excrement, #1 pp.1,3
   intuition, #4 p.5, #5 p.2
   irony, #5 p.2
   narcissism, #7 pp.3,7
   narrative, #4 p.2
   ornament, #6 pp.1,7
   process, #3 pp.1,4-5, #5 pp.5-6, #7 pp.2-3
   quality, #2 p.2, #5 p.6, #6 p.1
   religion, #5 pp.1,2,5
   remediation, #4 pp.1-4
Arthur, Bea, #6 p.1
artists
   community, #5 p.1,4-5, #7 pp.4-6
   economic status, #2 p.2, #7 p.5
   education, #5 pp.1,2,5
   fear, #5 pp.1,4, #6 p.2
   freedom, #5 p.6
   and influence, #6, p.7
   as intellectuals, #4.p1,6
   masculinity, #7 pp.1-7,8
   performance, #7 p.4
   power, #5 p.5, #7 pp.1,4-6
   process, #3 p.3, #4 p.5, #5 pp.3-4,6, #6 pp.1, 4-5, #7 pp.4-6
   romance between, #5 pp.1,5-6
   shame, #3 p.4, #5 p.3,6
   social responsibility, #2 p.2, #5.p.4
   vulnerability, #4 p.4, #5 pp.1,3,5-6, #7 p.4-6
   working class, #3 p.1, #4 p.2
Attia, Kader, #2 p.1
Baer, Jo, “Radical Attitudes to the Gallery”, #7 pp.1,3
Bainbridge Island, #5 p.1
baldness, #7 p.8
Bataille, Georges, informe, #1 p.3
Batchelor, David, Chromophobia, #4 p.1
Baxter, Deb, #6 pp.1,3-4
  “Neutral Nude Part One”, #2 pp.1-2
  “Neutral Nude Part Two”, #3 pp.1,4
   False Hope, #6 p.1 (ill.)
   Launching Pad, #6 p.4
   Sweetness, video, #3 p.4
   Howard House exhibition, #6 pp.1,3-4
   Or Gallery exhibition, #6 p.3
Beaumont, Linda, #7 p.7
beauty, #5 p.2, #7 p.7
   process, #3 p.3
Beauty and the Beast (fairytale), #4 p.2
Bennett, Gretchen
  “Conversations...”, #6 pp.1,4-5
  “You and I Have Memories Longer Than the Road: a philosophy of street art”, #1 pp.1-2
   Dead Christmas Tree, #1 p.1 (ill.)
   End This Night If It Be Your Will, #5 p.6 (ill.)
   Have a Hangover, #4 p.4 (ill.)
   Hello, exhibition at Howard House, #4 p.4
   Lamp Ball, #5 p.6 (ill.)
   Nirvana (Skid Row, Ted Ed Fred, Pen Cap Chew, Bliss), #5 p.6 (ill.)
   Work Song (exhibition), #7 pp.4-5
   Nirvana, #4 p.4, #5 p.6
   remediation, #4 p.4
Berger, John, #2 pp.1-2, #3 pp.1,4
Berk, Leo Saul, #5 p.4
  “One couple makes time to talk”, #5 pp.1,5-6
  “Masculinity Conversation”, #7 pp.1,7
   Spider Hole, #7 p.8
   Work Song (exhibition), #7 pp.4-5
bioremediation, #3 p.3
Black Panther Party, #3 p.1
Blouin, Louise #3 pp.1,6
Bourgeois, Louise, #1 p.4, #7 p.7
Bowman, Midge, #1 p.4
Brâncusi, Constantin, Endless Column, #6 p.5
Brakhage, Jane, #6 p.7
Brakhage, Stan, #6 p.7
Brendon, Nicholas, #6 p.5
Brooklyn (New York), #1 p.1, #6 p.1
Browning, Matt
   masthead (ill.), #6 p.1,
   Tradition as Adaptive Strategy (exhibition), #7 pp.1-3 (ill.)
Bruce, Chris, #1 pp.1,4
Buffy the Vampire Slayer, (television show), #4 p.4, #6 p.5
Burden, Chris, #1 p.4
Burger, John
   Ways of Seeing, #2 p.1
   and women, #2 p.2
Burnam, D.W.
  “Unmediated Melancholy: Debra Baxter’s ’point of zero preconception’”, #6 pp.1,3-4
   untitled essay, #7 pp.1-3
Burroughs, William, #6 p.3
Caillois, Roger, #7 p.3
camouflage, #7 p.3
camp, #6 p.7
capitalism, #4 p.2
Carr, Emily
   Scorned as Timber, Beloved of the Sky, #4 p.3 (ill.)
   logging, #4 p.3
Cathay, #6 pp.1,7-8
cats, #5 p.4
Celmins, Vija, #1 p.2
chamomile flowers, #5 p.3
Chase, William Merritt, #1 p.4
Chatterjee, Raj, #6 p.6
Chickadel, Ben,Work Song (exhibition), #7 pp.4-5
chinoiserie, #6 pp.1,7-8
cinematic technology, fictional, #6 p.6
civics, #6 p.4
Cobain, Kurt, #1 p.2,#4 p.4 (ill.),#5 p.5, #6 p.5
Codrington, Andrea, #6 p.3
color
   contingency, #4 p.5
   painting, #5 p.1, 3
Cornish College of the Arts, #5 p.4
Cowie, Claire, #5 p.4
   The Gift Shop Presents Presents (exhibition), #7 pp.5-6
  “One couple makes time to talk”, 5# pp.1,5-6
craft, eradication by capitalism, #4 p.2
Craigslist, #3 p.6
creativity
   censorship, #3 p.5
   control, #5 p.6, #6 pp.1-2
   faith, #5 pp.1-3,5
   mysticism, #3 p.5
   neurology, #3 p.5
   process, #6 p.4
   the repressed, #5 p.4,6, #6 pp.1-2
Cufley, Tyler, Work Song (exhibition), #7 pp.4-5
curators
   audience, #1 p.4
   limitations, #1 p.2
   trust, #1 p.4
Cure, The (musical group), #7 p.8
Daly, Drew, #3 pp.1,3
   Division: Adirondack Chair, #3 p.1 (ill.)
   Mirror Merge, #3 p.3
   Subject: Remnant, #3 p.3 (ill.)
dancing, and vulnerabiliy, #5 p.5
Darling, Michael, #5 p.2
Darth Vader, #2 p.1
David, Larry, #5 p.1
de Beer, Sue
   Hans und Gretel Filmstill (pipebomb), #5 p.5
death, #6 pp.5, 8
   meditation, #3 p.2
   movement, #3 p.2
   the undead, #4 pp.1-4
decay
   symbolism, #3 p.3, #4 p.3
   vegetables, #4 p.3
deconstruction, #5 p.2
desire
   and color, #4 pp.1,5
   poetry, #4 p.5
Dion, Mark, Neukom Vivarium, #4 p.2
Donovan, Tara, #3 p.3
Duchamp, Marcel, #1 p.3, #2 p.4
Elliot, Eric, #1 p.3
Elliot, T.S., #3 p.4
Elsen, Albert, #6 p.3
Eno, Brian, #2 p.5
erosion, #3 p.3
excrement, #1 pp.1,3
exoticism, #6 pp.1,7-8
fact vs fiction, #5 pp.4-6, #6 pp.1,6-7
femininity, #7 p.7
feminism, #3 p.4, #4 p.6, #7 p.7
fermentation, #4 p.3
Ferrari, León
  “Written painting (1963)”, #5 pp.1,3
   Cuadro Escrito, #5 p.3 (ill.)
Fitch, Claudia, #6 p.7
  “Masculinity Conversation”, #7 pp.1,7
Flickr, #3 p.6
Fluxus, #6 p.5
Focke, Anne, “A Pragmatic Response to Real Circumstances”, #7 p.6
Fontana, Lucio, #5 pp.3
Fotuhi, Majid, #3 p.6
Fragonard, Jean-Honoré, #6 p.8
Fredericksen, Eric, Work Song (exhibition), #7 pp.4-5
Freize Fair, the, #3 p.6
French Revolution, the, #2 p.3
Freud, Sigmund, #1 p.1
Friends, (television show), #6 p.5
Frye Art Museum, history of, #1 p.4
Fu Dogs, #2 p.1, #2 p.6 (ill.), #6 p.7 (ill.)
furniture, and class, #3 p.2, #6 p.3
Galbraith, John Kenneth, The Anatomy of Power, #7, pp.1, 4-6
Gas Works Park, #1 p.3, #4 pp.2-3
genocide, #1 p.3
geodesic map, #6 p.5
gift exchange, #7 pp.5-6
Global Creative Leadership Conference, the
   anecdotes, #3 pp.1,6
Goldberg, Rube, #6 p.1
Gonzalez-Torres, Felix
   Untitled (Perfect Lovers), #2 pp.5-6 (ill.)
Grade, John, #4 p.3
graduate school, #7 p.7
Graves, Morris #4 p.3
   Bird Sensing the Essential Insanities, (1944), #4 p.4
   Bird Experiencing Light, (1969), #4 p.4
   Wounded Gull, (1945), #4 p.4
Greenwood, Wynne, New Report, #3 p.4
Greer, Mandy, Phoenix, #2 p.4 (ill.)
Guangyi, Wang, Cold War Aesthetics, #3 p.6
Guinness Book of World Records, #7 p.2
Guston, Philip, #5 p.1
Haacke, Hans, #1 p.4
Haag, Richard
   Blodel Reserve, #4 p.3
   Gas Works Park, #1 p.3, #4 pp.2-3
   and ruins, #4 pp.2-3
Hamilton, Ann, #1 p.4
Hamilton, Charles, #6 p.2
Hansen, Eli
   on architecture and pornography, #1 pp.1,4
   exhibition at the Helm gallery, #4 p.3
Harbison, Robert, #6 p.3
Hardy, K8
   Burning Mud Women Mud Wrestling, #3 p.4
   Fashionfashion, #3 p.4
   queer politics, #3 p.4
Harries, Karsten, #2 p.5
Harris, James, see James Harris Gallery
Hashemi, Jason, The Gift Shop Presents Presents (exhibition), #7 pp.5-6
Hasting, Lord Michael, #3 p.6
Heishman, Jenny
  “Do you believe in heaven above, do you believe in love?”, #5 pp.1,5
   Mud Thing, #1 p.3 (ill.)
   skepticism of romanticism, #1 p.3
Held, Robin, #1 p.4
Hello Kitty, #6 p.8
Helm Gallery, #4 p.3
Henry Art Gallery, #7, pp.4-6
   history of, #1 p.4
Herzog, Werner
   Encounters at the End of the World, #6 p.5
Hewitt, Corin
   exhibition at the Seattle Art Museum, #4 p.3
Hill, Gary, #1 p.4
Hinrichs, Heide
  “Only There”, #2 pp.1,5
   masthead, #2 p.1 (ill.)
Hirata, Jason #7 p.6 (ill.)
   The Gift Shop Presents Presents (exhibition), #7 pp.5-6
homosexuality, #6 p.7
   and the Northwest school, #4 p.3-4
honesty, #4 p.6, #5 pp.1,2
horses
   symbolism, #5 pp.1,3,5
   physiology and psychology, #5 p.5
Howard House, #1 p.3, #4 p.4, #5 pp.4-6, #6 p.3
hunting, #7 p.7
Ingres, Jean Auguste Dominique, #3 p.4
institutional critique, #6 p.4, #7 p.6
intution, #4 p.5
Ishigami, Junya, #6 p.5
Jackson, Michael, #6 p.1
James Harris Gallery, #3 p.1, #6 p.8
Judd, Donald, #3 p.1
kabbala, #3 p.5
Kangas, Matthew, #4 p.4
Kapoor, Anish, Cloud Gate, #2 p.4 (ill.)
KAWS, #1 p.1
Keinholtz, Ed and Nancy, #1 p.4
Kelley, Mike, #6 p.3
Khartoum, #6 p.5
kitsch, #7 p.3

Klein, Yves, #5 pp.3
Lawrimore Projects, #1 p.3, #5 p.4
Lee, Spike, Summer of Sam (motion picture), #6 p.5
linguistics, fictional, #6 pp.6-7
logging, aesthetics, #4 p.3
Louise Blouin Foundation, #3 pp.1,6
Lundgren, Greg
  “The Waiting Room”, #4 pp.1,6
Mabuse, Jan, #3 p.4
Manzoni, Piero, Merda d’artista, #1 p.3
Mao, Jen, #7 p.6
Marxism, #3 p.1
masculinity, #7 pp.1-7,8
   hair, #7 p.8
mass culture, #4 p.2
Mattise, Henri, #4 p.5
MacGyver (television show), #3 p.6
McMakin, Roy
   Purplish, #3 pp.1-2
   gay pride, #3 p.2
   religious themes, #3 p.2
Magnum PI (television show), #7 p.8
melodrama, #6 p.3
menstruation, #7 p.7
metaphysics
   neurological basis, #3 p.5
   versus dialetics, #1 p.2
Metropolitan Club, The (New York), #3 p.6
Meyer, Elizabeth, #4 p.4
middle class, and myth, #4 p.2
Miller, Steven
   Wedding between Steven Miller and a pile of dirt, #1 pp.1 (ill.),3
misogyny, #4 p.6
mistakes, #5 p.6, #6 p.4
Mitchell, Jeffry, #6 p.7
   Black Fu Dogs, #2 pp.1,5-6 (ill.)
   nude drawing, #3 p.4 (ill.)
  “Roy McMakin’s Purplish as I remember it”, #3 pp.1-2
  “Masculinity Conversation”, #7 pp.1,7
   sexual themes, #2 p.5
Mlodinow, Lenoard, #3 p.6
modernism
   in public art, #2 p.3
   religion, #2 p.5
Modest Mouse (musical group), #7 p.4
Montaigne, Michel de, #6 p.3
Moriyasu, Saya, #6 pp.1,7-8
   Floating Worlds, #6 p.8
   Lamplight Lavish Gathering, #6 p.8
   Six generations of slip-cast Fu Dogs, #6 p.7 (ill.)
Moule, Sara, #3 p.6
Murphy, Brian, “Masculinity Discussion”, #7 pp.1,7 (ill.)
Murphy, Robert, #6 p.3
Museum of Modern Art (New York), #6 p.5
Mutharika, Bingu wa, #3 p.6
naturalism, #4 p.2
nature deficit disorder, #3 p.6
Nauman, Bruce, #6 p.3
Neckface, #1 p.2
Netherlands, tulip mania, #2 p.3
neuroaesthetics, #3 p.5
neurology, increasing cognitive function, #3 p.6
New York City, #6 p.2, #6 p.4
Niemi, Rebar, #6 pp.1-2
Nirvana, (musical group), #6 p.5
Novoselic, Krist, #6 p.5
nude verses naked, #2 p.2, #3 p.4
Nyland, Nicholas
  “A Day in Cathay”, #6 pp.1,7-8
   masthead, #3 p.1 (ill.)
   Nowhere, Anywhere, Everywhere, (exhibition), #4 pp.1,5
   Reticulum 6, #4 p.1 (ill.)
   color, #4 pp.1,5
   chinoiserie, #6 pp.1,7-8
Oaxaca, #6 p.1
Offenbacher, Matthew, #5 p.4
   masthead, #1 p.1 (ill.)
  “Black Fu Dogs”, #2 pp.1,5
  “Green Gothic”, #4 pp.1-3
  “Power in the Gift Shop, Part 1”, #7 pp.1,4-6
  “The Underground Tour”, #2 pp.1,3
Ohge Ltd. gallery, #4 p.1
Oldenberg, Claes, #6 p.3
One Percent For Art, #2 pp.3-4
original sin, #6 p.2
Osha, Shaw
  “Conversations...”, #6 pp.1,4-5
   Clear to a Blur, #6 p.4 (ill.)
   After the Fact, #6 p.4 (ill.)
painting
   cinema, #6 p.4
   emotion, #5 pp.1-3
   perception of, #5 p.2, #6 p.4
   reverence, #5 p.2
   writing, #5 pp.3
Park, Joseph
   I know I know Jenny and Joe (exhibition), #7 p.4
  “Spokane Interview”, #1 pp.1,4
parks, #1 p.2, #2 pp.1-2, #4 pp.1-3
Peaches (performer), “Fuck the Pain Away”, #7 p.8
Penn Station, #1 p.2
Peters, Mary Ann
  “The Split: notes on fear and subliminal forces run amuck or tamed”, #5 pp.1,4
Peterson, Erik
  “In defense of painting”, #5 pp.1-2
photography
   cameraless, #3 p.1,5 (ill.)
   fictional, #3 p.3
Picasso, Pablo
   masculinity, #7 p.1
   verses Duchamp, #2 p.4
Piecuch, Joey
   exhibition at the Helm gallery, #4 p.3
Pike Place Market, #1 p.2
Pioneer Square, #1 p.1, #3 p.1
Piper, Adrian
  “Cheap Art Utopia”, #2 pp.1-2
Pisano, Ron #1 p.4
plastic water bottles, wastefulness of, #3 p.6
Plato, Symposium, #7 p.4
Plummer, Joe, #7 p.5 (ill.)
   Work Song (exhibition), #7 pp.4-5
poetry, #4 p.5
pointillism, #1 p.3
political art, and doubt, #2 p.5
pornography, #1 pp.1,4
portraiture, #5 p. 5
post-modernism, #6 p.7
Pothast, Emily Ann
  “Fleeting Moments in an Infinite Flux: artists and other windows on eternity”,#3 pp.1,5
power
   conditioned, #7 p.4
   personality, #7,p.4-5
   property, #7, pp.5-6
prisions, #5 p.4
public art
   artists’ income from, #2 p.4
   compared to gallery art, #2 pp.1,4
   modernism, #2 p.3
   vs private expression, #5 p.5
   by women, #7 p.7
queer politics, #3 p.4, #4 pp.1-4
Rainier Beer, #1 p.2, #3 p.1
Real Life (pop band), Send me an angel (1983), #5 p.1,5 (ill.)
relational aesthetics, #7 p.6
religion, artistic expressions of, #4 pp.3-4, #5 p.5
remediation, #4 pp.1-4
Richman, Elise
  “Nicholas Nyland’s Fall into Color”, #4 pp.1,5
Richter, Gerhard, #5 p.2
Robb, Susan
   biodigestor, #1 p.3
  “Socialites, Scientists, and Big Leather Handbags: the Global Creative Leadership Summit”, #3 pp.1,6
   nature deficit disorder, #3 p.6
   visual literacy, #3 p.6
Rockefeller Center, #2 p.3
rococo, and pleasure, #6 p.7
romanticism
   in European history, #1 p.3
   painting, #5 pp.1-3
   skepticism, #1 p.3
   in the Northwest, #4 p.3
Rosler, Martha
  “Untitled Statement (1977)”, #4 pp.1-2
Rucker, Paul, #5 p.4
Rushdie, Salman, #3 p.6
Ruskin, John
  “The Nature of the Gothic”, #4 pp.3-4
   pathetic fallacy, #4 p.4
Saint Laurent, Yves, #7 p.7
same sex marriage, #1 p.3
Saranac Art Project, #1 p.4
scholar’s rocks, #4 p.5
Schweder, Alex, #1 p.3
sculpture, #2 pp.1, 3-5, classical, #6 p.3
Seattle Art Museum, The
   history, #1 p.4
   Target Practice: Painting Under Attach 1949-1979, #5 p.2
   Hello Kitty (Maki Tamura), #6 p.8
Seattle
   art museums, #1 pp.1,4
   parks, #1 pp.3
   sewers, #1 pp.1,3
Serra, Richard, #3 p.1
Seward Park, #1 p.3
sex
   the impulse to make art, #4 p.6, #5 pp.3, #6 pp.1-2
   language, #6 pp.6-7
   lizards, #4 p.5
   painting, #5.p.2
   recreation, #4 p.6
   sadomachoism, #7 p.4
sexuality
   architecture, #1 pp.1,4
   representation of bodies, #3 p.4
   shame, #3 p.4
shame, #3 p.4, #6 p.2
Shelley, Mary, Dr. Frankenstein, #6 p.5
Sherman, Cindy, #6 p.5
Siebald, W.G, The Emigrants, #6 p.5
Sienna, James, #5 p.2
Simone, Nina, #1 p.1
Sinister, Dexter, #6 p.4
Skagit County, #4 p.3
Skinner, B.F., #1 p.2
Skype, #7 p.8
Smells Like Teen Spirit, (song), #1 p.2
Smithson, Robert
  “Cultural Confinement”, #1 pp.1-2
   entropy, #3 p.3
   400 Snapshots of Seattle Horizons, #1 p.2 (ill.)
   Spiral Jetty, #3 p.3
Snow, Dash, #6 p.5
Snyder, Gary, #3 p.5
Stadler, Matthew, on the picturesque, #1 p.3
Star Trek Next Generation, (television show), #3 p.6
Stein, John, #3 p.6
Strauss, Ilvs, “Five Haiku”, #7 p.8
sublime, the, #6 pp.4-5
Summerson, John, #6 p.4
symmetry
   energy, #3 p.5
   mirrors, #3 p.3
Takamori, Akio, #6 pp.1,7-8
   The Europeans, #6 p.8
Tamura, Maki #6 pp.1,7-8
   masthead, #5 p.1 (ill.)
   Hello Kitty, #6 p.8
   Constellations, #6 p.8
Tate Gallery, The, #3 p.4
Tehuantepec (Mexico), #6 p.1
Tennis, Whiting
  “This Head Mechanism”, #4 p.5
   erotic drawing (ill.), #4 p.5
Terminator, The, (movie), #1 p.2
Theory of Relativity, the, #3 p.3
time
   cinema, #6 pp.1,6-7, #6 p.4
   decay, #3 p.3
   decomposition, #3 p.2
   melancholy, #6 p.1, #7 pp.2-3
   seasons, #7 p.8
   as stasis, #3 p.2
Tinguely, Jean
  “Untitled Statement (1961)”, #3 p.1
Tobey, Mark, #4 p.3
totem poles, #2 p.3 (ill.)
Townsend, Larry, The Leatherman’s Handbook II, #7 pp.1,4
Trouvelot, Étienne Léopold, #3 p.1
   imaging of electric discharges, #3 p.5
Trowbridge, Kimberly, masthead #7 p.1 (ill.)
Turner, Joseph Mallord William, #6 p.5
Turrell, Jim, #1 p.4
Twilight, (movie), #4 pp.1-2
Underground Tour, the, #1 p.1
United Nations, The, #3 p.6
University of Puget Sound, #6 p.8
University of Washington, #5 p.6
utopia
   irony, #1 p.3
   sculpture parks, #1 p.2
Uwajimaya, #6 p.7
vampires, #4 p.1-2
Velázquez, Diego, La Meninas, #6 p.5
Veltkamp, Joey
  “It Began with a Chair...”, #3 p.1,3
  “Masculinity Conversation”, #7 pp.1,7
Viagra, #7 p.8
Vigeland, Gustav, #2 pp.1 (ill.),2
visual literacy, #3 p.6
Volunteer Park, #1 p.4
vulnerability
   in painting, #5 p.2
   when making art, #4 pp.4-5, #5 pp.1-2
Wölffin, Heinrich, #6 p.1
Warhol Museum, The, #3 p.4
Washington State University, #1 p.4
Waterston, Darren, #6 p.7
Watteau, Jean-Antoine, #6 p.8
Ways of Seeing, #2 pp.1-2, #3 pp.1,4
Webb, Dan
  “I Heart Public Art”, #2 pp.1,3-5
West Village (New York), #3 p.6
West, Harvey, #1 p.4
Western Washington University, #2 p.1
Wikipedia, #3 p.6
Wings of Desire, (movie), #4 p.1
Wolfe, Sylvia, #1 p.1
Wonder, Stevie, #1 p.2
working class, #3 p.1, #4 p.2
Wyeth, Andrew
   Farm road (1979), #5 p.2 (ill.)
   Remembrance (exhibition), #5 p.2
   as populist, #5 p.2
Yoder, Robert
   Send me an angel (exhibition), #5 p.1
   on display, #5 p.5
“You Belong to Me” (song), #7 p.4
YouTube, #5 p.1, #6 pp.4-5
Zeki, Semir, #3 p.5
Zižek, Slavoj
   On Belief, #1 p.3
Zwick, Jenny, #7 p.4 (ill.)
   I know I know Jenny and Joe (exhibition), #7 p.4